The Change Up: SUCKS
O my…this film sucks!
It is not a good movie…Nope not even funny bad. Just wow this sucks, this sucks a lot.
Seriously did anyone read the script? It’s clearly not funny, so why make it?
This film is nowhere near somewhat funny. The only parts that this film thinks it’s funny is that gross stuff. Like kids shitting beyond what would be considered healthy, cuz holy shit take that kid to the hospital clearly that’s not healthy.
It angers me that stupid shit like this film gets made and some good scripts don’t.
Only reason to watch this would be the beautiful Olivia Wilde…
But I’ll just place a photo of her here. That way you don’t have to watch it since I just told you she is in it…
Oh good things are better now. So to sum things up, since the whole time I was on my phone googling ways to kill myself when watching this film…It sucks DON’T WATCH…let’s move on now, okay…
I believe that the third season is very interesting in any television series. Usually it works this way; if the first season is exceptional and gains a sizable audience the second will have much loftier expectations. The second season comes and it can really be a make or break (see “Heroes” for a prime example of how good series’ go wrong). If a series can get past a lackluster second season and moves into the third season, a network usually has faith. Also, a series can usually hit its stride in season three, and that is exactly where “The Wire” found itself after two seasons in the books (Wow, that has to be a record for using the word “season” in a single paragraph).
I like to call this season of “The Wire” The Comeback. We move away from the docks of Season Two and re-concentrate back on the East and West Baltimore drug war and the City of Baltimore’s “war on drugs”. We meet some new characters including Marlo Stanfield, an up and coming dealer who lives by his own code, and his two lieutenants, Chris and Snoop. On the “law” side we get better acquainted with “Bunny” Colvin, a police Major on his way to retirement with his own ideas on how to solve West Baltimore’s drug problem, and Tommy Carcetti, a councilman with mayoral aspirations.
The first episode really sets the tone for things to come with a very symbolic “downing” of the Franklin Terrace Towers in a scene very reminiscent of the 9/11 tragedy. However,instead of using Muslim extremists as terrorists, we see the City of Baltimore bringing down the Towers and the dealers looking on, helpless, seeing their way of life, essentially, coming to an end. After this event, battle lines are drawn all over the city and by the end of this season, several characters meet their “ends.”
Overall, if you’ve stuck with “The Wire” for two seasons, this is a great payoff for your time spent following everyone from Bodie Broadus to Lester Freamon as their characters, and several other main characters, continue to develop. If by the end of season three you don’t think “The Wire” is the best TV drama ever (I won’t go best show ever) you should stick to your Kardashians or “Jersey Shore” shit.
Fun Fact: You might know Tommy Carcetti, or Aidan Gillen, for playing another scumbag; Petyr Baelish, aka, Littlefinger on HBO’s “Game of Thrones.”
The Take: Astonishing
Here in America many shows come and go. Out of probably thousands only a few are worth watching. Unlike In the UK, where there seems to be a lot more quality shows over quantity.
The Take well its a ton of goodness.
It’s simply one of the best dramas.
The Take is based off of the novel by Martina Cole. It’s first episode came on in 2009 on Sky1 in the UK. It’s about a gangster named Freddie (played by Tom Hardy) who leaves prison and is hoping to take over the empire of his boss, Ozzy (played by Brian Cox). It takes place in the 80’s which is always a great time period. I would love to talk about this show more but I don’t want to spoil anything.
So lets talk about this show’s stunning-fantastic performances. The standout is Tom Hardy who will blow you away. His acting is beyond top notch, it really is amazing. Just wait to you see his mannerisms!
The others, Shaun Evans, Kierston Wareing, Sara Stewart, Brian Cox and Charlotte Riley complete a perfect cast that you never get to see on TV, including movies. It’s really something. Brian Cox like always gives a good performance and always is great to see on film. A big surprise for me would be Charlotte Riley who’s strong performance is something to behold (by the way she is Tom’s girl in real life, he’s damn lucky, she’s beautiful and can act, a double threat that I would like to see more of.)
It’s supporting cast is outstanding. Freddie is a psychopath, there is killing, blood, a plot that keeps you going and great cinematography. What more could you ask for? This drama is one of the best you will ever see on TV. We need more of these to watch! Especially in the US.
This is a disclaimer that I should have written in the review of “The Wire,” Season One, but I’ll write it here to preface my Season Two review. I did not watch “The Wire” on a season to season basis, essentially because I didn’t have HBO at the time and I wasn’t about to shell out $60 bucks for each season on DVD, so I waited for the magic that is HBO GO and I got my kicks that way, (you might say to yourself, “Matt, you dummy, why didn’t you just torrent it or find a pirate site.” Sorry guys, I actually like paying for my entertainment and have respect for the art so I pay for what I want, HA!). I digress, this isn’t an ethics course, this is “The Wire” Season Two.
Every series needs to have a setup season, or a filler season if you will. Season Two is just that for “The Wire”. The seaport of West Baltimore is the primary setting for this season after we see several members of the Barksdale Crew put behind bars at the end of Season One. While Avon Barksdale, Stringer Bell, and Omar Little are still major players in the grand scheme of things, they take a backseat of sorts to Frank Sobotka, a stevedore union president trying to walk the line, and Proposition Joe, an East Baltimore drug kingpin with a connection to the mysterious “Greek” trying to sort out a truce with his West Baltimore rivals.
While I wouldn’t call this the strongest season in the series, it’s still vital as it sets up several characters for future seasons, and sets the tone for the remainder of the series. You get a little deeper into the psyche of McNulty and his “thrist” for justice, the paranoia of Avon Barksdale, the aspirations of Stringer Bell, and how the government works in West Baltimore.
What you’ll notice in this season, and as the series continues, is the “offing” of several characters out of the blue. It really becomes apparent that the creators of the show really wanted to show to audience that no one is safe in West Baltimore. While I really don’t appreciate characters that I like coming to grisly ends, the fact that the showrunners have the balls to kill off anyone at any time in a small twisted way, pleases me.