Map to the Stars – Hollyweird
Quick story about David Cronenberg; My earliest memory of his work is actually not even a film he directed, it’s a film that he appeared in. As a kid I remember watching “Nightbreed” and being scared out of my mind. Sure there are plenty of monsters and mutants in the film, but the one thing that stood out to me was a guy in a mask with a zipper and buttons for eyes. Only later would I find out that man behind the mask was David Cronenberg, the same guy behind classics like “The Fly” and “Scanners.” In the past decade or so, Cronenberg has taken a departure form the “body horror” that had made him famous, and has concentrated on more intimate character pieces like “Eastern Promises” and “Cosmopolis.” Now, in what I might call his most interesting work in quite some time, Cronenberg takes on Hollyweird and all of it’s kookiness in “Map to the Stars,” starring Julianne Moore, Robert Pattinson, John Cusack, and Mia Wasikowska.
The skinny on “Map” is this; young Agatha (Wasikowska) arrives in town and is greeted by limo driver, Jerome (Pattinson). Agatha has just gotten into town via Jupiter, Florida and is looking for Benji Weiss, the young star of the “Bad Babysitter” series of films. Meanwhile, we meet Havana (Moore) the daughter of movie star who died in a fire who is receiving counseling from Dr. Stafford Weiss (Cusack). Havana gets word from her agent that a film is being produced about her mother’s life and naturally Havana feels she is best actress for the role. The film plays out where we learn more about all of the major characters in the film and how weird do things get? Well, this is a Cronenberg film after all……
Based on reviews that I’ve been reading about “Map” this is really a love it or hate it flick. I’ve read that some people are disgusted about the insinuated and pretty much apparent incest connotations, as well as the casual nudity and dark subject matter. This is where I say “grow up!” Sure, some of the content is a little over-the-top, but you’d be a fool to not think things like this happen in Hollywood.
The interwoven plot is interesting and the film is a Chuck Palahniuk, David Lynch, and Bret Easton Ellis mash-up of insane and maniacal proportions. At first I thought this film was actually written by someone of Ellis’ ilk, but upon further inspection the writing duties went to Bruce Wagner, who is best known for writing “A Nightmare on Elm Street 3: The Dream Warriors.” It’s odd for Cronenberg to go with a writer that has so few credits to his name, but the writing is actually very well done, visceral, and perfect for the film.
Now, a lot of people were in love with Julianne Moore’s performance in “Still Alice,” but I would go as far as saying that her turn in “Map” was vastly superior in it’s weirdness and fearlessness. We all know that Moore is a great actress that has been overlooked for awards for years, but wouldn’t it have been nice if she was rewarded for a role that required more than just having an ailment and having to overcome it? I’d say yes, but I’m sure a lot of people would go against me. Outside of Moore, the supporting cast is solid, and it’s good to see that John Cusack is still getting work that matters and not falling into the same trap that has confounded Nicholas Cage for the better part of a decade. I don’t know what it is, but Cage and Cusack to me are almost one in the same. “Map” also shows me more of the talent that I know is residing inside of Robert Pattinson. He had a great turn in “Cosmopolis” and showed me more in last year’s under-appreciated “The Rover” and albeit a small role, he is still good in this film and his scenes with Mia Wasikowska are small, but tragic.
All in all, “Map to the Stars” is an interesting and dark take on celebrity and the toll it can take on those with weak constitutions. While this film does seem more in the wheelhouse of someone like Lynch, it’s great to see David Cronenberg’s take on Hollywood since he is mostly a director who is always on the outside looking in, on his own accord of course. And while I do like that he is taking more chances on projects like “Cosmopolis” and “A Dangerous Method” I would like to see him get back to his older, body horror work one day.
Fun Fact: Hollywood was established in 1853 with a single adobe hut just outside of Los Angeles, California.
They say a picture is worth a thousand words. But sometimes a motion picture is only worth one. Simplistic Reviews gives you a minimum one word review from avid film buffs Justin Polizzi, Matthew Stewart and DJ Valentine. If one isn’t enough, you can read on and enjoy their further analysis of the film or television show. Simplistic Reviews is, for lack of a better word, GOOD.
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Hooray for Hollywood? Naw, it’s time to skewer Hollywood and rip them and new one, of course while picking the winner’s of this year’s Academy Awards.
The boys go over all the essential categories from Best Score all the way to the grand-daddy of them all; “the award where they could have had 10 nominations, but they decided to go with eight.”
Will “Boyhood” be this year’s big winner? Will “Birdman” fly above the competition? Why was “Gone Girl” only nominated for one award? Why is the Academy in love with films that feature people with disabling diseases? Is it a fetish that they secretly have that we don’t know about?
All this and much more as the Simplistic Reviews Crew gives Hollywood the old “what-for.”
Hugh Jackman Hopping At Tony Awards
If you’re not interested in our ramblings, just check out our picks below:
Friday Night Movie Night!
Tagline: Survival the ultimate test…
The year is 1987. Motorcycle ninjas tighten their grip on Florida’s narcotics trade, viciously annihilating anyone who dares move in on their turf. Multi-national martial arts rock band Dragon Sound have had enough, and embark on a roundhouse wreck-wave of crime-crushing justice. When not chasing beach bunnies or performing their hit song “Against the Ninja,” Mark (taekwondo master/inspirational speaker Y.K. Kim) and the boys are kicking and chopping at the drug world’s smelliest underbelly. It’ll take every ounce of their blood and courage, but Dragon Sound can’t stop until they’ve completely destroyed the dealers, the drunk bikers, the kill-crazy ninjas, the middle-aged thugs, the “stupid cocaine”
…and the entire MIAMI CONNECTION!!!
The House of the Devil – Fun
Like I mentioned in my review of “The Guest,” I love the 1980s, especially 80s horror, but one genre always kind of eluded me; the devil-worshiping/possession genre. I simply don’t find those types of films very scary or unnerving. This goes double for, get ready for it, “The Exorcist.” I simply don’t get the appeal of what so many people call “the scariest film ever made.” I also think the market has been flooded with these possession/evil house/devil worshiping found footage type films, and while they are low budget, and make a ton of money because we have enough sheep who go to the theater to waste their money with lackluster fare like that. But, every once in a while I’ll take the advice of a friend, or in this case a blog (thanks Slaughter Film) and go out on a limb and watch something I normally wouldn’t, and than I wonder to myself why it took so long to finally get around to this movie. That movie is 2009’s “The House of the Devil.” Directed by Ti West, who has also worked on the anthology series “V/H/S” and directed “The Sacrament” brings to glory of late 1970s and early 80s Gothic horror to life by recreating a film that is suspenseful and a crap ton of fun.
“House” is the tale of Samantha, a struggling college student looking to move out of her dorm room that is constantly being used by her over-sexed roommate. Desperate for money after finding the house of her dreams, Sam calls about a babysitting job the night of a lunar eclipse. After losing hope on the job, she receives a call from Mr. Ulman, the man who placed the babysitting ad. Dragging her friend Megan along, Sam accepts the job and heads to the Ulman residence. Upon arrival, as the viewer, you already have the sense that something isn’t quite right about Mr. Ulman, who is played to creepy perfection by consummate creeper, Tom Noonan. Creeped out, Sam is about to leave, but now desperate, Ulman tells Sam to name her price. She’s seizes the moment knowing that her new house is on the line. The film progresses with Sam exploring the house, hearing noises, and finally learning the secret the Ulmans have been hiding all along. To spoil the third act would be a disservice.
What works so well in “House” is the look of the film. The opening credits are something right out of a Wes Craven film, mixed with Hammer Horror, and a dash of Italian giallo. The hair styles are to the era, the score is reminiscent of something Ric Ocasek. However, even with all of these 80s elements, the film is still very contemporary and can fit into any era.
The one gripe I see that people could have is the pacing of the “House.” There isn’t a whole lot of “action” until about an hour into the film, but just like the films of yore, the build-up is part of the fun of this film. However, in this day and age of instant gratification, jump scares, and found-footage dredge (which is ironic since I actually enjoyed “V/H/S”) it’s refreshing to see a movie like “House” but I”m sure that’s the reason why this film hasn’t gotten much traction outside of die-hard horror fans who have been watching the genre for decades.
Overall, “The House of the Devil” is great and it pains me to think that it took me so long to finally get around to this film. The production design is strong, the acting is believable and likable, and the villains are creepy. It’s everything that you would want in a suspenseful horror film. New school kids beware, this IS your Daddy’s horror film.
Fun Fact: The Church of Satan was founded by Anton LaVey in 1966