1986

October 3, 2015

The Horror Time Capsule – 1986: The Fly

MELTY

The Fly – Melty

At it’s core, “The Fly” is a love story that just happens to end tragically. In the vein of “Frankenstein” and any other mad scientist film you can think of, not only is “The Fly” memorable for it’s strong acting and storytelling, it’s probably most memorable for it’s extreme gore and transformation scenes. To this day, I would still put up the SFX in this film as some of the best that have ever been done in horror/sci-fi.

Jeff Goldblum stars as Dr. Seth Brundle, a struggling scientist working out the kinks on his teleportation machine. By his side is a young Geena Davis who is smitten with Brundle, but is also involved with slimy magazine editor, Stathis Borans.

Brundle seems to be on the brink of something that would change science forever, but he forgot to close his windows and doors because one tiny little fly puts that cabash on that and Brundle slowly begins to turn into a half-man/half-fly hybrid with grotesque results.

In the sci-fi genre, I don’t think you get something as perfect as this film. The acting is strong, for the genre, the effects are horrific and still shocking to this day, and at the end of the day, you feel bad and you have empathy for Brundle and his slowly departure from humanity into a creature. This is Goldblum’s film to shine, and while he mainly plays in the background, without many major starring roles, the role of Brundlefly will live on forever in horror/sci-fi lore.

Of course this is a remake of “The Fly” from the 1950s, but aside from the fact that both films are about men turning into flies, most of the similarities stop there. David Cronenberg puts his own unique stamp on this remake that includes a broken arm, complete with bone sticking through the skin, maggot pregnancy, and of course my favorite, a melting foot and hand.

You like “The Fly” here are some other goodies from 1986:

Aliens
April Fool’s Day
Critters

Friday the 13th Pt 6
House
Texas Chainsaw Massacre 2

August 10, 2015

SR Podcast (Ep. 52): Never Too Young To Die – Movie Commentary: August 2015

A secret agent is murdered! 

Can his son, a high school gymnast, along with a spy catch the man/woman who killed him? 

Team up with DJ and Justin to find out on the next Monday Night Movie Night!

Never Too Young To Die

92 mins / Action / 1986
Secret agent Drew Stargrove is brutally murdered by the ruthless Van Ragnar. In this action-packed Bond-style thriller, the murdered secret agent’s son, Lance Stargrove is thrust into the dangerous and intriguing world of secret agents and espionage when he seeks revenge against Van Ragnar. Danja Deerling teams up with Lance as his sidekick and love interest. 

Watch along with the film HERE

Taglines to tickle your fancy!
Stargrove: the new American hero.
Vanity: the new breed of temptress! Stamos: the new breed of hero!
At the age of 18, every government agency wanted him… dead or alive.
He inherited all his father’s enemies and only one of his friends.
Action: Bond style. Beauty: Vanity style. Hero: American style.


July 13, 2015

SR Podcast (Ep.51): Back to School – Movie Commentary: July 2015

We are back again for another Monday Night
Movie Night!

After that big 50th episode we took a bit of a break and sat down to watch the 1986 classic Back to School. We figured a few laughs was in order since a murder took place on that last podcast.

Back to School
96 mins / Comedy / 1986

“To help his discouraged son get through college, a fun-loving and obnoxious rich businessman decides to enter the school as a student himself.”

Music Notes

Back to School – Jude Cole

Twist and Shout – Rodney Dangerfield

Back To School – Oingo Boingo

April 22, 2015

SR Podcast (Ep. 45): Slaughter High – Movie Commentary: April 2015

Movie Commentary Time!

Slaughter High

1986 – 90 mins – Slasher/Horror

Today we watch and make fun of the 90 min B-Slasher film, Slaughter High. We know what you are saying, “It’s finally here!” Since the Podcast gang has been talking about Slaughter High numerous times on Podcasts and even a episode on Unboxing/Reviews.

Slaughter High is about eight people that are invited to their 10-year high school reunion at their now-closed down high school where a former student, disfigured from a prank gone wrong, is there to seek revenge. Simple and to the point but it’s got its issues.

Slaughter High is a fun, entertaining film of which everyone should see. If you haven’t this is the perfect time to watch!

Also this Movie Commentary is sponsor by Tide Stick!

Remember kids, if you go on a murderous rampage bring along a Tide Stick!

January 15, 2015

Slaughter Film Presents: Action Movie Time Machine – Cobra

EXTREME

Welcome back to another “Action Movie Time Machine”. As we continue our trek into the realm of action films that have a flair for the more macabre, “Horror Movie Killers”, we will be looking closely at Sylvester Stallone and a Danish model who teach a killer cult how to love again in “Cobra”. All aboard! The “Action Movie Time Machine” is now departing.
The year is 1986. RUN DMC made Aerosmith popular again with “Walk This Way”, everyone learned not to take soap-operas so seriously when “Dallas” had all been a dream and “The REAL Ghostbusters” started kickin’ ass and takin’ names.
THE SKINNY
Cobra” begins with a nameless mad man, armed to the teeth, who has strolled into the local supermarket and begun blowing people away. All in the name of something called “The New World”. The local police call in their special weapon, Marion Cobretti, aka Cobra, Sylvester Stallone. Cobra isn’t one to take it easy on a violent perp. And in moments the mad man is stabbed in the chest and unloaded on. Cobra and his partner are what the police force affectionately call “The Zombie Squad”. They’re the guys who take cases no one else wants. The bottom line.
 
As the crime-scene is being cleaned up and the dead loaded into meat wagons, Cobra is harassed by the media – questioning his often deadly tactics. This is recurring theme of the film. That, and the idea that a revolving door policy keeps criminals on the streets and peaceful citizens in terror.
Aside from this days events, the city has been shaking in it’s boots. There is a serial killer on the lose known as the “Night Slasher”, who has been slashing and stabbing his victims for weeks now. Cobra and his partner Gonzales, Reni Santoni, have been brought in to help find the killer. Maybe their unique brand of gun-slinging detective work are sure to make the case break wide open.

While Cobra and Gonzales hit the streets to rattle some cages, the killer…or killers strike. Late one night as young Ingrid, Brigitte Nielsen, is on her way home from a photo shoot, she witnesses a woman being murdered and gets a clear look at the face of one of the killers. The leader of the group, who is unnamed but we learn is the Night Slasher, Brian Thompson, instructs one of his underlings, who is a cop, to find Ingrid’s identity by using her license plate. This group of killers is a cult, bent on ushering in their order of “The New World”. Whatever the hell that is.
Why is it a cult? Well there are several scenes that show the group of killers in black performing some sort of ceremony held in what looks like a parking garage. They are chanting and clanking axes and other bladed weapons together. It’s no Stone Cutters, but it’ll have to do.
 
Once the Night Slasher and friends learn who Ingrid is they set out to kill her, but she narrowly escapes and reports the attack to the police. This is where Ingrid and Cobra meet, bump uglies and Cobra promises to protect her from the maniac cult.
The Night Stalker uses his police resources to find out who is working on the case and this results in several more attacks on the life of Ingrid, Cobra and Gonzales. One of these attacks involves the Night Slasher going after Ingrid while she’s being looked after at the hospital. A 20 something woman being attacked by a silent stalker with a big knife. Nothing has reminded me more of Halloween 2. Just another reason “Cobra” is getting the “Horror Movie Killers” treatment.
One of these attacks involves the cult converging on our protagonists as a biker gang. This becomes a chase, with Cobra and Ingrid running for their lives. They end up at a near by refinery. After the cult is dispatched, one by one at the hands of Cobra, Cobra and the Night Slasher go head to head. The Night Stalker eggs Cobra on, in typical 80s bad guy fashion and the two throw down in a round of fisticuffs that ends with the Night Stalker being impaled on a giant hook. Cobra operated the hook like a crane and directs the Night Stalker into some sort of industrial furnace until he is no more.
 
The film ends with Cobra and Ingrid riding off into the sunset on one of the cultists motorcycles. The End.
THE VERDICT
“Cobra” is the spiritual successor to films like “Dirty Hairy”. What both “Cobra” and “Dirty Hairy” share is a cop forced to push the envelope in order to do his job. A cop who struggles against the limitations of the bureaucracy he works for, in a city that is getting more violent every day.
But in this case, “Cobra” is more extreme. Instead of Hairy, who kills to protect himself while protecting  citizens, Cobretti kills because his world is kill or be killed and the citizens just get in the way. Instead of a lone killer, there is an entire cult of killers. And the same it true with the underlying social commentary. The police work of Dirty Hairy is handicapped by scrutinizing reporters, policy makers and the city itself who vilify Hairy for not being politically correct, and of course, using excessive force.
“Cobra” paints a world were criminals are so common, even Granny has to shoot two or three hoods on her way home from bingo. The criminals has banded together in some lose organization, or cult, to further spread murder and mayhem without any clear goal. How someone might take notice of crime getting worse year after year by looking at faceless, nameless statistics. Oh, and there is also excessive force.
Over all, “Cobra” isn’t a terrible movie. Stallone is fine. The action is fine. The underlying message is fine, albeit overly sensationalized in a way that only a mid-80s Reagan voter could concoct, but otherwise fine.
I guess my problem with this movie is it’s villain. Who us this cult? Why is it a cult? Other than general mayhem, what do they want? What is their goal? I understand the idea of crime being looked at as a statistic and how it seems to middle America that the boogey man is around every corner, but this wasn’t developed well enough. I like the idea and maybe it was just lost in translation between the Stallone, the writer, and George Cosmatos, the director.
A much better depiction of America being terrified of itself can be found in “The Purge”, or even better yet “The Purge: Anarchy”. Everyone who has the urge to kill is set lose upon the city to do what they will with little or no explanation as to why they are doing the things they are doing. Just danger around every corner for the protagonist. This is the world that “Cobra” lives in.
  As the 80s continued, action films got more and more bleak and this is a fair example of that. I love how the 80s flicks became filled with doom and dread. “Cobra”s dark nature can be entertaining and watching a lesser known Stallone flick is a lot of fun. But for my money “Dirty Hairy” is the cop for me. Next time, we’ll be paying ol’ Chuck Norris another visit as he kicks the ass of a supernatural killer.
I’m Cory Carr and this concludes another trip on the “Action Movie Time Machine”. Until next time, Semper Fi Punk!
For more from Cory, check out his website slaughterfilm.com, where he and his good friend Forest Taylor record weekly podcasts, reviewing the films that are legendary, even in Hell!
October 31, 2014

Yet Another 31 Nights of Halloween: Mirror, Mirror (Amazing Stories TV Show – S1:E19)

Okay so I’m going to try something a little different here. In the late 80’s, Steven Spielberg came out with a TV show called Amazing Stories that seems to ether grab a ton of flack or a ton of love. I never really watched the show, maybe a totally of two episodes of which I couldn’t tell you a damn thing about. I do remember the show and that opening but not a bit of memory regarding the episodes. So since Amazing Stories is on Netflix, I’m going to pick a couple of episodes out of order strictly do to the crew and actors that appear in that episode.

Mirror, Mirror: Entertaining
Season 1, Episode 19 (March 9, 1986)

The reason why I picked, Mirror Mirror was because of the involvement of Sam Waterston (The Lead), Dick Cavett (plays Himself) and Tim Robbins (The Phantom).

Also believe it or not…

This episode is Directed by Martin Scorsese…Yes that Martin Scorsese!

This episode is about a horror novelist who doesn’t believe in the subject that he writes. But he quickly begins to reconsiders this as he begins to see a man tying to kill him. The only time he see this figure is when he looks into a reflective surface, which shows the man gaining on him with the intent to strangle him.

 

It’s not a bad story for a 24 minute show. I found the 24 minutes to be very entertaining, might not be the strongest story ever but so far it’s my favorite out of the four that I’ve watched. Keep in mind this show is called Amazing Stories yet so far I haven’t really seen an amazing story. They’re mostly okay stories with a good twist. Maybe this is mostly why I’ve seen Amazing Stories get more flack online then love.

That said…

Scorsese does a good job. He keeps the 24 minutes fast and fun. Believe it or not that wasn’t the main attraction for me, that honor was given to the great Sam Waterston as Jordan Manmouth. Every time he is acting he just steals the scene if its Law & Order or The Newsroom, he just steals it with his presence. He plays a guy who just losses it and you can believe it. He really does steal that scene and even more made this episode flat out entertaining.

Defiantly give this episode a check out.

Side Notes:

Dick Cavett plays Dick Cavett and I enjoyed the little addition of him to the story.

Tim Robbins is also along for the shows as The Phantom, although you couldn’t tell who the hell was  really playing the villain to save your life.

October 25, 2014

Yet Another 31 Nights of Halloween: Go to the Head of the Class (Amazing Stories TV Show – S2:E8)

Okay so I’m going to try something a little different here. In the late 80’s, Steven Spielberg came out with a TV show called Amazing Stories that seems to ether grab a ton of flack or a ton of love. I never really watched the show, maybe a totally of two episodes of which I couldn’t tell you a damn thing about. I do remember the show and that opening but not a bit of memory regarding the episodes. So since Amazing Stories is on Netflix, I’m going to pick a couple of episodes out of order strictly do to the crew and actors that appear in that episode.
Go to the Head of the Class: Enjoyable
Season 2, Episode 8 (November 21 1986) 60 mins
The reason why I picked Go to the Head of the Class was because of the involvement of Christopher Lloyd as Professor B.O. Beanes, Bob Gale (teleplay), Alan Silvestri (Music) and Robert Zemeckis (Directing). Yes the majority of those who worked on my favorite movie of all-time, Back to the Future.

Right off from the start this has the Zemeckis look. The opening is classic Zemeckis just like Back to the Future, it tells a lot about the character. We start off on the TV that slowly comes out showing our main character’s room filled with pictures of a girl. We start to pan down from a window with a basketball and baseball bat, band posters, stickers, a phone going off and a clock. Our main character (Peter Brand) picks up the phone to find a screaming mother yelling at him about being late for school.

Cut to a shot of Peter Brand jumping out the window running to school, its so McFly like and that is just too damn awesome. 

The next scene is where Christopher Lloyd comes into the story. He plays a teacher who is pretty hard on his students. Seeing a student crewing gum, he questions the student who quickly swallows the evidence. The Professor then picks a piece of gum from under the desk of the student, ask what is this then? The student says thats not the kind I chew, which in a silly way catches the student in a lie. So he requires the student to swallow the random piece of gum. I love this scene a lot because Brand is trying to sneak into the classroom during this time. The way the whole scene flows just reminds me of Back to the Future, which isn’t a bad thing mind you. Alan Silvestri scores this episode just like Back to the Future. When Peter falls into the grave around the 18:20 mark, just listen, it just screams Back to the Future and damn do I loved that. 

Regarding the story it’s definitely not the strongest but still enjoyable to watch. It’s a revenge plot after Brand and his best friend; Cynthia Simpson (Mary Stuart Masterson) gets caught with the same paper. Brand takes the blame and is punished in front of the class by the Professor. So the two decide to cast a deadly spell on the Professor which doesn’t go to plan. I really enjoyed this episode mostly because it felt so Back to the Future like. That said Go to the Head of the Class was still enjoyable to watch especially with Halloween around the corner.
July 23, 2012

Something Wild

Something Wild: Sunday

By Sunday I mean if you’re free on a Sunday and it rains and you’re stuck inside, then this film isn’t too bad to sit and watch. Jeff Daniels gets kidnapped by Melanie Griffith and they go on a adventure. Melanie robs a liquor store, steals cars and has sex with Jeff, all in all it’s not bad. It contains a ton of cameos and Ray Liotta pops up as the ex-boyfriend of Melanie’s character. He gives a frighting performance which make me wonder way he Scorsese never worked again after Goodfellas (one of my all time fav). It’s not a bad film, check it out on a rainy day.

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