Today is not only our first appearance of Dan Haggerty here at Simplistic Reviews but also a ending for a movie that flabbergasted DJ. I suppose this would already be enough for a Movie Commentary but nope…that’s not all. We also have a homeless department store Santa investigating a modern-day Neo-Nazi plot to finally bring about the master race that Hitler had always dreamed of.
Instead of a race of pure-blood Aryans, it is revealed that Hitler dreamed of a race of half-human/half-elf hybrids.
Yep… what a movie everyone. So grab that egg nog and sit back, things are about to get weird.
P.S. Enjoy the Elves because next week is a cold one set on a tropical island. Try not to question it.
Every genre of film has their captain; Steven Spielberg invented the Hollywood Blockbuster, George Lucas crafted the most important science fiction film of all time, John Ford, and Sergio Leone, made some of the most important westerns of all time, and when you look back at the history of horror, of course you’ll always think of John Carpenter and Wes Craven, but it’s safe to say that George Romero will always been the man who brought horror to the masses and created an actual conversation about class warfare and racism all because of a movie about zombies walking the Earth in 1968’s “Night of the Living Dead.”
While many will always remember Romero for his work on “Night,” “Dawn of the Dead,” and “Day of the Dead,” I will always and forever go to “Creepshow” as my all time favorite. It combined my love of comics and horror and wrapped them into five nearly perfect stories. You had zombies, monsters, aliens, and bugs, not to mention a cast of actors you wouldn’t expect in a genre piece, but nonetheless gave it their all, and it creates the perfect horror anthology.
I’d say Rest in Peace in George, but we all know he wouldn’t want that.
*This is a pretty spoiler-free review that leaves a lot to be debated about.*
A lot of you know that I’m a horror guy. But these days there really isn’t much to offer outside the possession, found footage, creepy ghosts sub-genre. I feel like I’m beating a dead horse every time I say that, and I say it so often it’s exhausting, but it needs to be said. Unfortunately Jason Blum has tapped into something that people love and keep coming back to for some reason. The irony doesn’t escape me that “Get Out” is a Blumhouse Production. Sometimes you just have to put your hate on the side burner.
As far as a film that combines high concepts, social commentary, and elements of horror and thriller alike, you’re not going to get much better than “Get Out.” Not to mention the fact that it makes white people uncomfortable to talk about is an added bonus. Most reviews coming out are about how the film is great, injects something special into the horror genre, yada yada yada. But I guess the thing at this point is that talking about the plot could spoil the intentions of the film and the sizable reveal in the 3rd Act.
So here’s the long and short of “Get Out.” Chris has been going out with Rose for a few months, so naturally the next step for Chris is to meet Rose’s parents. Chris and Rose load up and head out of town for a weekend in the country with her family, the Armitages’. What follows is a weekend that shows the sinister intentions of the family, despite their demure social front and fondness of being worldly liberals who would have voted for Barack Obama a third time.
You can sum this film up to the friend that you know, who is white, that feels he understands the condition of minorities by trying to relate with them at a base level, ie, taking an accent with their speech, telling them you would have voted for their leaders again, etc. Speaking from the white perspective, I’ll never understand the plight of someone who is Afro-American, Latino, Asian, Native American, and so on, understanding isn’t the key, the key is letting them explain their situation without the injection of white-splaning. Also, just because you have friends who aren’t white doesn’t give you the ability to understand. As a white person you’ll never understand the struggle.
Now that I got that out of the way, what is there to like about “Get Out?” Tons!
Peele has created something that while not pure horror, is the horror story of our time, especially for any non-white. It’s also a slow burn to a nice 2nd act twist that while you might have seen coming, when it does hit, it’s a true kick in the face. But the most interesting thing might be who you actually TALK TO about the twist. From the white perspective, you might hear an audible gasp, or a “wow, that’s crazy.” If you ask anyone who isn’t white, you’ll likely hear, “I knew it.” or “that’s fucked up.” That’s because it is fucked up, but it might also be a fact that white people wouldn’t believe a white person would do something like that, and in there lies why we still have a lot to do in terms of race relations and how we perceive our own race and the lengths, and depths, they are willing to go.
There is also some humor sprinkled in with what some people are calling the best supporting character in modern times in Rod, Chris’ friend that works for the TSA, played by LilRel Howery. He’s a great character that is self-aware of the situation that Chris is in, intelligent, but also looked down upon when he presents evidence about the trouble his friend is in; by the police no less. It’s just another thing to remind you of the times we live in, or what’s been going on for the between part of the last century.
“Get Out” is a film best served re-visiting at least twice, maybe even three times. Sure, the “twist” is gone upon multiple viewings, but the journey to how it gets there can get lost in the details. The Armitage estate is surrounded in mystery, and relics from other countries and cultures are scattered around the house. A conversation early in the film between Chris and Rose’s father. Dean, sets the tone of the family’s legacy and even gives a “what-if” if history was just a little different. It’s actually pretty chilling.
Considering I’m staying as spoiler-free as possible, I’m going to stop this review right here, But the point is that this film will appeal to the passive viewers as just a straight up psychological horror film but if you want something with a little more meat on it’s bones and something to say, “Get Out” is the first great film of 2017.