Joss Whedon

June 2, 2018

(Ep. 104): Justice League – Movie Commentary: June 2018

Justice League

PG-13  2017 ‧ Fantasy/Science fiction film ‧ 2 hours
Fuelled by his restored faith in humanity, and inspired by Superman’s selfless act, Bruce Wayne enlists newfound ally Diana Prince to face an even greater threat. Together, Batman and Wonder Woman work quickly to recruit a team to stand against this newly-awakened enemy. Despite the formation of an unprecedented league of heroes in Batman, Wonder Woman, Aquaman, Cyborg and the Flash, it may be too late to save the planet from an assault of catastrophic proportions.
Initial release: November 15, 2017 (Sweden)
Director: Zack Snyder
Initial DVD release: March 13, 2018 (USA)

Box office: 657.9 million USD

Well… like DJ mentioned, we kept going with these damn DCU movie commentaries. We didn’t really want to watch JL but we had to get it over with.

But hey it is still better then Batman V Superman Dawn of Justice, that’s something right? Don’t worry we will get back to the crappy but fun films that include a good old T&A drinking game.

So sit back and enjoy a okay film that’s somewhat coherent and looks a ton better then Dawn of Justice. Grab that beer and laugh at the terrible CG… and that laughable mustache removal…man that was horrible.

Oh and we added a new gimmick. Starting with Justice League, after every movie commentary we’ll spin a wheel to find out what we watch next. Fun stuff!

Today we took a spin on our new wheel!!!

We spun The Wheel of Doom (TM) a collection of request films by viewers like you!

…and we get something odd. Hint: It involves the Musketeers and David Hasselhoff…yep the HOFF…nothing but fun…

Hey did you know: Justice League is the fourth-most-expensive film ever made. Amazing is it not?! wikipedia.org

November 26, 2017

Justice League

Justice League: Fun

PG-13

 2017 ‧ Fantasy/Science fiction film ‧ 2 hours

__________________________________________________________________________________________

What Is The Story?

Fueled by his restored faith in humanity and inspired by Superman’s selfless act, Bruce Wayne enlists newfound ally Diana Prince to face an even greater threat. Together, Batman and Wonder Woman work quickly to recruit a team to stand against this newly awakened enemy. Despite the formation of an unprecedented league of heroes — Batman, Wonder Woman, Aquaman, Cyborg and the Flash — it may be too late to save the planet from an assault of catastrophic proportions. (IMDB)

Did I like it?

Justice League is a fun movie with problems I can’t believe went unseen, but lets talk about that later. Did I enjoy JL? I did. This was a film I went into with zero care especially with the amount of crap thrown at me. Whether it be online ads or TV spots I was already hungover by the time JL was hitting screens. So when I sat down and drank my coffee I really had a fun time watching. This wasn’t do to the genetic storyline but it was watching these characters and as well having them interacting with each other.



Without the strong characters this film is light on its feet. With the mess that was Suicide Squad and Dawn Of Justice, the key take away was the dark tone. With Wonder Woman that tone changed. What we got was a happier, brighter and more colorful film. This was needed and I believe was part of the success that Wonder Woman had. With JL I am happy to see the dark visuals get toned down. Now it wasn’t Wonder Woman levels and in the film it even fights with itself, but still it was nice to see a more colorful look. Don’t believe me? Take a look at the comparisons with the first trailer and the newest one. Same exact shots but with a brighter and clear look. The addition of Danny Elfman scoring went a lot further in helping this tone problem WB has.
That 2hr running time should be the new standard. This sets up boundaries for filmmakers like Snyder. Stick with the 2hrs everyone! 

We finally get the classic Superman we have been waiting for. Talking like Superman and acting like Superman.

The Flash is great thou he needs to be turned down a few. Having the Flash at 11 the entire time is a bit draining.

Wonder Woman is still great.

Aquaman was good. Wish we had more but I’m looking more forward to his standalone movie.

Cyborg was better then I was expecting.

Batman was Batman. Wish we had his standalone already. Not sure what is going on behind the scenes but I feel we are missing out on The Batman film not yet shooting.

What Was Bad?

A lot. Story, dialogue, CG, sound mixing and more. Again I am surprised to see some of this in a tentpole film. I had to shake my head a few times do to the sheer craziness of allowing this into the final edit. I understand the issue this film had during production. But I wont allow that to hinder my final view on the film. I would love to talk about the super mustache but I won’t because the amount of work that goes into a movie production is incredible. What happened was terrible and I can look past that. Probably should of just added a beard on him to cover it up. The fact that any movie is completed is an achieve on itself.

But some stuff is just surprising. 

The first few minutes should grab your attention but here I was shocked right away. The kids on their phone recording Superman was terrible. Great idea but terrible execution. The video should of been filmed by real kids. I would of loved to see I child film this with other children around in the frame. It felt so fake and that’s another issue with this film, cheap execution. The onscreen camera buttons just did not need to be there. This was the first thing we as the audience see and it wasn’t done right. 
Then we jump into Batman on the roof capturing a criminal. This entire scene felt out of place on top of that it felt shot like a TV movie, cheap. And out of all the scenes that need to be dark this was lit way too much. Then the stupidest thing I’ve seen in ages happens. Batman talks to Alfred using his real name right next to the criminal. Are you kidding me? This is a one on one conversation. There is no need for real names. You could use a codeword but again this is two people talking, no confusion on who is talking to who.
Now the criminal knows Batman talks to a man named Alfred, I’m sure he won’t go home and google Gotham and Alfred together. Christ. The way these DC films treat Batman’s secret identity is appalling.  
Now with the villain I would not go as far as what others are saying. He is definitely not the worst ever. I don’t believe that. What I can’t believe is why make him a full CG character? Why hire the great Ciarán Hinds and only use his voice. What the hell are you thinking? Throw him in the make up chair and allow him to use his sinister facial expressions to bring that character to life. But hey no one really wants Steppinwolf as the main baddie in a JL film anyways. What if Doomsday was approaching Earth to take it over. First half hr is Doomsday taking over and enslaving humans. Flash goes back into time and sets up the team with a plan to bring back Superman. Bring him back is the only chance they have. Superman comes back as evil and the JL film is about fighting Superman and setting up the arrival of Doomsday in part 2.

That would be in my opinion a better storyline. Perhaps having Batman v. Superman in this universe kills that. Another reason they shouldn’t have made that film. Starting to think WB didn’t plan any of this out.

My Favorite Parts?

The league fighting Superman. There is a great shot that almost makes the entire movie. More of this WB.
Elfman using Superman’s classic theme which got my heart racing. Again more of this WB.
Elfman bringing his Batman 89 theme back brought tears to my eyes. This was the moment the film became more for me. I felt honored to hear that again in a theater. This is Batman’s theme just like Star Wars and Bond have theirs. But if you weren’t paying attention you might of missed it. It pops up a couple time but the poor sound mixing drowns that out for the general audience. I don’t know who is at fault here, someone needs to be brought back. That was almost disrespectful. Felt like the movie was embarrassed of the theme.  
That’s the recurring theme with WB and their DC films. They seem to be embarrassed of their property. We have been witnessing this for awhile now. Allow your property to be itself. You saw that happened with Wonder Woman. Your on the right track but I feel like your out of chances. Right now your on track to lose money. It’s a shame because this is a ton better then Dawn of Justice. 

Wrap Up

Snyder and Terrio need to go. I do believe Joss Whedon brought this film up to fun for me. If he wasn’t apart of it this would of been a remake of Dawn of Justice. Give Whedon the control or hell Patty Jenkins she already showed us she knows the property better. The numbers are there and the people have spoken. It can not continue this way.

November 22, 2017

Can There Be Justice for the Justice League?

So what really went wrong for “Justice League” in it’s underwhelming opening weekend? Was it the fact that DC decided to make their own version of “The Avengers” without strong stand-alone films? Was it the condensed sub-2 hour runtime? Was it the fact that the film had two completely different tones and styles? Was it Superman’s amazing mouth CGI? Was it the fact that Batman was almost as lifeless as Charles Manson? Was it the fact that Cyborg as a head on some questionable CG body? So many questions; so little time.

In case you haven’t heard, the Internet hasn’t been too kind to DC’s latest outing where you get to see their greatest heroes all join forces to defeat a bad guy who isn’t Darkseid. Sure, there are tons of problems with “Justice League.” Overall, it’s a rushed mess with trite dialogue, awkward performances, a main villain that makes Malekith from “Thor: The Dark World” look good, and it just feels rushed. But that’s what the DCU has felt from the start; a rushed attempt to catch up to the MCU.

But here’s the thing; is “Justice League” all that bad? Of course if you ask the Internet in it’s infinite wisdom is bad and they just can’t get past how bad the CG was on Henry Cavill’s magic mustache removal. Yes, it’s not good, it’s almost criminal that in a 300+ Million Dollar tentpole blockbuster that someone would sign off on that actually being passable in this day and age. Of course I’m not an artist of any kind and I have no idea how had it is to digitally remove a mustache, but for the past 27 years we’ve been able to make dinosaurs come back to life, create liquid metal terminators, de-age actors, bring them back to life, but somehow, facial hair removal eludes us. Go figure.

To to uninformed, here’s the gist of “Justice League.”

*Some Spoilers to Follow*

The world is still in mourning over the loss of Superman, and a new threat has arrived; Parademons and their leader, Steppenwolf who is after three Mother Boxes, which are essentially terra-forming alien technology kind of similar to the World Engine in “Man of Steel.” If all three Mother Boxes are found and combined they will essentially bring about the end of Earth as we know it.

So it’s up to Batman to form a team to save the world, but it’s going to take a lot more than a really fast guy, a head on a robot’s body, a powerful Amazonian, a drunk lifeguard, and a guy dressed in black rubber to save the world, they need Superman back. The only problem is that he’s buried in Smallville, Kansas. Good thing there is still a good amount of Kryptonian technology sitting around Metropolis.

If you’re a fan of the “Justice League” or “Justice League Unlimited” cartoon series, you’ll likely be a big fan of this version of “Justice League.” But in a world that’s been created to be dark, humorless, and void of a general sense of right and wrong, it’s odd that we have so many moments that are supposed to be funny and genuine. Why am I supposed to care if these characters like each other? I barely know them, and they barely know each other. It’s hard to buy into that as a viewer since there is very little frame of reference and not much history. But, you’re expected to buy into it.

However, one of the biggest issues overall with “Justice League” is the tonal difference between what we see directed by Zack Snyder and what’s directed by Joss Whedon after he took over for Snyder. Whedon does his best to create an Avengers-like vibe, and you could argue that some scenes are directly cribbed from his superhero Magnum Opus. I’ve never been a Snyder fan aside from just one of his films, but at least his style has been consistent with “Man of Steel” and “Batman v Superman” and just knowing that you’re watching the work of two different directors within the same film is quite infuriating for me. Whedon should have at least tried to keep the same tonal approach as Snyder instead of trying to reinvent a MCU film in DC’s backyard. But hey, that’s just like, my opinion man.

Surprisingly, Batman is actually one of the worst things about “Justice League” with Steppenwolf coming in a close 2nd thanks to more shoddy CG. I gave Ben Affleck the benefit of the doubt in “BvS” it’s his first time out and he’s doing the best he can, but this time around, he’s kind of just going through the motions and I don’t know how you make Bruce Wayne/Batman uninteresting, but Affleck did it, and it might be the reason why he’s potentially on the way out of the DCU.

I know i’ve spent a lot of time harding on things I don’t really like with “Justice League” but looking back at my experience, despite my eye rolls and scoffs, this might be DC’s most complete film to date. It hits all the right tropes, doesn’t diminish what was created in “Wonder Woman,” introduces The Flash who isn’t half-bad, and actually makes Superman/Clark Kent more like the Superman/Clark Kent that people might recognize.

So despite a slow start, can “Justice League” bounce back after a poor start? At the box office, probably not, but on the bright side, the US Box Office is about as useless as a screen door on a submarine, it’s all about the Foreign Box Office. But could a Snyder cut, or can a 2nd viewing show a film that is actually better than it really is? Perhaps, but please fix Superman’s lip…he deserves better.

May 9, 2015

The Simplistic Reviews Podcast (Ep. 47): May 2015

FOR MATURE AUDIENCES


In honor of Mother’s Day, The Simplistic Reviews Podcast has assembled their regular team of badass motherf*%kers to ring in the month of May. They touch on Suicide Squad…they touch on the Joss Whedon haters…they touch on Tom Brady’s balls…all in an effort to entertain you.  So sit back, give it a listen, and say hello to your mother for me.

6:37 Simplistic Showcase

36:53 TV Roundup

59:44 Hey F*%khead

Also as a special treat…here is an outtake that was too ridiculous not to share with the world.

Show Notes
Redrum
Ally McBeal
Andy Kaufman
Lord Humongous

Music Notes
My Flows Is Tight By Lord Digga
We Gotta Get Out Of This Place By The Animals
Birds And Brass By Sort Of Soul
The Great Escape Theme By Paul Bateman


                         Check us out on FacebookTwitterYouTubeLetterboxd, and Pinterest

April 29, 2015

Avengers: Age Of Ultron (DJ’s SPOILER FREE Take)

CELEBRATORY

Now, I’m not a psychic or anything.  I’m not from the future or possess some mutant power over probability or telepathy or the space time continuum.  However, I know…without a shadow of a doubt…that The Avengers: Age of Ultron is going to be taken for granted in the next coming months.  Oh, we’ll all see it, for sure.  But cynics and critics who get paid a dime a word to say such cliched things as “this comic book movie craze is wearing thin for me” are going to crap on this film.  Hell, even some fans of the property are going to take for granted how great this film is.  The main question these groups of people will ask is if it is better than the first Avengers.  My answer to that is…no.  After hearing that, everyone will rush to judgement and think the film is a disappointment or even a failure.  It is astronomically far from that.  What you have to realize is that even before Age of Ultron was made, it was going to be impossible to make it better than the original.  The original Avengers is literally a dream come true.  It is a film that is the first ever culmination of years of planning and set-up for something that was thought to be impossible to pull off.  More so than Sin City.  More so than Watchmen.  The Avengers was not supposed to happen…but it did…and it was great.  Flawed?  Sure.  But despite whatever criticism lobbied toward it, it will forever have that glow of the first time.  All you realistically can hope for in a sequel is for it not to squander its predecessor’s steam or lose its way.  For it to continue exploring and expanding on the things that worked well in the original while managing to fix whatever mistakes the original suffered from.  Thankfully, Avengers: Age Of Ultron does that and then some.

Avengers: Age of Ultron centers around the assemblage of Earth’s mightiest heroes as they try and fend off a global assault from a self-aware computer program called Ultron.  The program itself is accidentally created by Dr. Bruce Banner and Tony Stark.  The team must fight for their lives and fight to stay together while the world is on the brink of total annihilation.  But I don’t want to really talk about that.  I want to talk about the real reason why this film works and why it will continue to work going forward. 

What is the best parts of any Tarantino movie?  Is it the ultra violent action scenes?  Is it the cool soundtrack?  Is it the story?  Not for my money.  It is the scenes where characters are talking to one another.  Their witty verbiage in their interactions.  What was the best parts of the new Star Trek films?  Was it the space battles?  Was it the phaser shootouts?  Was it the lens flares?  Not for my money.  It was the scenes where characters are talking to one another.  Their palpable chemistry.  Their understanding of who each of their characters are.  The same can be said of the first Avengers and thankfully of Age of Ultron.  Don’t get me wrong, the action scenes and set pieces in all these films are crazy good.  However, these team-up Marvel films go as far and will continue to go as far as the characters’ chemistry and interactive dialogue will take them.  Action scenes are easy to pull off compared to the task of assembling a large cast of characters that you have to make lovable in different ways and believable in their conversations with one another.  Special effects are a cinch compared to writing a character so well that fan boys geek out about them as much when they are out of their super suit having a normal conversation as they would seeing them in their super suit battling murderous megalomaniacal robots.  Avengers: Age of Ultron’s chemistry is its superpower.  The story has its flaws, but you are willing to forgive them because you love these characters and you love to be a fly on the wall in their superhero lives. 


The original players that return…Tony, Cap’, Thor, Widow, Banner, Hawkeye…are just as good if not better than before.  Robert Downey Jr. is the rockstar of the group without managing to overshadow the others.  Chris Evans’ ability to be honest and vulnerable as Steve Rogers yet stern and leader-like as Captain America is a marvel to watch. (See what I did there?) Hemsworth’s Thor seems to work best when he is allowed to be humorous and play up the fish out of water trope, which he does again here.  Hawkeye gets a much talked about backstory, but in my opinion, he also gets much better material to work with as a team member.  The Banner/Widow “thang” does take some getting used to, but ScarJo and Ruffalo make it feel genuine.  Scarlett Johansson is also given a scene in the middle of this film that was almost out of place in its subject matter and the dramatic power in which she plays it.  Kudos and whoa.  

Hey Widow.  Rise of the Planet of the Apes Called…

To be honest, the new players are the ones that I really spent my time focusing on.  Getting inserted into a world where the chemistry of characters is so important is no easy feat.  3 out of the 4 newbies manage to slide in with ease.  Elizabeth Olsen really does a fine job with Scarlet Witch, proving that she is keeping all the talent in the Olsen family.  Paul Bettany’s jump from voice over J.A.R.V.I.S. to live action Vision is so good that it is a flaw in the film that we don’t get more of him.  Andy Serkis even steals a scene as a character who may or may not be the nemesis in the upcoming Black Panther film.  But my one standout from the Avengers: Age of Ultron is predictably James Spader’s titular character.  The thing you have to prepare for, which will catch you off guard as it did me, is how funny and alive Ultron is in this film.  Some who have seen this performance already have been put off by this, believing a robot wouldn’t possess this much personality.  However, if you take the time to understand that this is a robot with the soul of one Tony Stark, it makes sense.  Ultron would of course be as eccentric and comically quirky as its genius, billionaire, playboy, philanthropist father.  Fans of James Spader will be amazed by how many of the actor’s signature mannerisms and facial ticks are alive and well in Ultron.  Getting back to my point about dialogue scenes, Ultron’s verbal interactions with Vision are possibly my favorites in the film.

Quicksilver is the new player that I had the most issues with.  The largest praise I can offer Aaron Taylor-Johnson’s performance is that it was not as bad as I thought it was going to be.  He and Olsen’s accents are not even as bad as I thought they were going to be.  Taylor-Johnson is not really bad at all.  It is just a bit of a low-key performance for a character that had so much more personality in X-Men: Days of Future Past.  And I freely admit that I thought Taylor-Johnson would be the superior Pietro Maximoff.  However, Evan Peters, much like what his character would do, steals Taylor-Johnson’s lunch in comparison.

Here I’ve been waxing poetic about character and dialogue and chemistry and I have neglected to talk about the popcorn action moments in this film.  I apologize.  Rest easy.  There are many. 

PUNY AFFORDABLE SEDAN!

Soooooo many.  So much so, that the biggest action scene in the first Avengers is merely the opening scene to this film.  Whedon, having written great set pieces in comic books for years, seems to have finally come into his own creating them as a director in his films.  The television show composition and cleanness of the first Avengers, a topic of criticism in the past, is gone thanks to the addition of cinematographer Ben Davis.  Davis, fresh off his stint on some film called Guardians of the Galaxy, really makes the film appear more cinematic while keeping its vibrancy. (Sorry DC)  Both know exactly what we want on a base level in an Avengers film, and both generously spoon feed us battle after battle with a wink and a smile. 

NERDGASM!!!

Speaking to the flaws of the film, I will say that there are some very hurried and even skipped over moments of exposition and character development in spots.  You can almost feel when a scene has been trimmed down for time.  This is why I was initially happy when the film was reported to be 3 hours long at first.  Film length never bothers me if there is a lot of story to tell or character development to get through.  You have not one but two beings of artificial intelligence whose motivations come at you at breakneck speed.  This is something in which Marvel appears to recognize, considering their announcement of an extended cut Blu-ray with alternate endings coming our way in the future.  Long films do limit their own box office receipts, so I understand the give and take that Marvel/Disney are up against.  Fans of the stand alone films Iron Man 3 or Thor: The Dark World will also be saddened to see little to nothing being carried over from those two films into Age of Ultron.  Most importantly, why Tony is back to being Iron Man after appearing to give it up in his last cinematic outing.  

Avengers: Age of Ultron is probably the best summer popcorn flick you’re going to see this year…the best you’ve had in two years…and the most fun you’ll have in the theater until the end of the year.  No, I don’t think it surpasses its predecessor on a comic book movie level, but that should not prevent you from CELEBRATING it or the fact that we got TWO of these films that were an unrealistically optimistic fantasy in our minds a little under a decade ago…with TWO MORE on the way!  Have some Vision…get tangled in strings…don’t drink from Thor’s flask…watch it…then tell me I’m wrong.  

December 10, 2012

Crappy Holidays: The Man With The Iron Fists

CONVOLUTED 

I am usually in favor of the person at the helm of a particular genre film loving the material they are making.  You put Joss Whedon, a man who has comic book blood running through his veins, in charge of The Avengers, you get a film that is highly enjoyable to the uninitiated while still respecting and indulging the built in fan base.  You put Marc Webb, who is known mostly for music videos and 500 Days Of Summer, in charge of Spider-Man, you get a Twilight-esque, tweentastic, crapfest that commits every single atrocity a superhero film critic uses to devalue the genre.  So, I was very interested when I heard RZA, a man who has loved martial arts films his entire life, was actually doing one.  Unfortunately, The Man With The Iron Fists turns out to be a film with good intentions but poor execution.

For those who don’t know, RZA is a founding member of the 90s rap group The Wu Tang Clan.  Watching any of their videos or listening to any of their song lyrics should illustrate how much he is into martial arts films.  Fellow martial arts film fan Quentin Tarantino even sought RZA’s help to pick out the proper songs for his film Kill Bill Volume 1.  A friendship grew and led to many collaborations.  The culmination would be RZA’s seven year dream project The Man With The Iron Fists.  RZA wrote the script under the watchful eye of Tarantino and fellow friend Eli Roth, and took on directing duties himself.  With all that history and love, with all those helping hands, it is a shame that the film itself turns out to be such a CONVOLUTED mess.  There are so many storylines happening at once with so many vaguely explained characters, you’ll be hard pressed to follow along.  This weakens any stakes the film tries to set up and creates nothing but confusion for the audience.  I’m a pretty attentive guy when it comes to movies, but even I found myself muttering “Is that guy a good guy or a bad guy?” more often than not.  Robert Rodriguez’s films Planet Terror and Machete stumbled into the same problem.  However, those films have a tongue and cheek approach throughout that distracts you from their overly confusing plots.  The Man With The Iron Fist is not light enough to excuse the clutter.

So, why bombard the audience?  I believe RZA does this in a futile effort to world-build.  To create a universe that he can transport us to and manipulate it’s rules.  However, he is not nearly as experienced enough of a filmmaker to do that.  To really pull this film off he’d have to have the scope creating skills of a Chris Nolan or an Ang Lee with the character creation understanding of a Quentin Tarantino or a Guy Ritchie.  He does not.  He would have been better off making this script simple.  A revenge flick or an epic quest.  Not a Shaw Brothers version of Snatch.

The performances are a mishmash as well.  You have RZA as the lead playing everything completely straight, while Russell ‘Why The Hell Am I Here?’ Crowe clowns around like its an SNL sketch.  Now, I can’t completely blame RZA for Crowe’s performance.  I’m not sure how much direction a hip hop mogul can seriously give an Oscar winner before being laughed off his own set.  It might have been a better idea to just have unknowns in these parts to give RZA more control over the performances.  That or have producer Eli Roth direct the film outright.  His lack of understanding in how to direct his talent shows. 

The one positive I can give The Man With The Iron Fists is that its nice to look at.  The cinematography is descent and the action scenes are very fun.  How much of it was RZA and how much of it was stunt choreographer Corey Yuen and Eli Roth is debatable.  The CGI feels slightly out of place at times, but not any more than the hip hop soundtrack. 

The Man With The Iron Fists is the text book example of someone biting off more than they can chew.  RZA is a gigantic fan of the martial arts film genre and you can see his love for it buried underneath the chaos.  However, a more tempered and measured approach to the story and direction could have possibly helped make a better film.  If you want to see this done right, watch Kill Bill Volume 1 or 2.  If you want to see it done not so right…drink some honey nectar…watch The Man With The Iron Fists…then tell me I’m wrong. 

September 11, 2012

The Cabin in the Woods

The Cabin in the Woods – Tribute

*There could be some spoilers in the links, so tread with care*

The 2012 Summer movie season is over and I saw all the big ones; The Avengers, The Dark Knight Rises, Amazing Spider-Man (even though some people wouldn’t agree that Spidey was a “big” Summer movie) and Prometheus.  Sure, you had The Bourne Legacy and a few other hyped movies, but my best experience came before Summer even started when “The Cabin in the Woods” FINALLY was unleashed to unsuspecting audiences in April.

Love letters are always nice when you get them from people that mean it, and people like Joss Whedon and Drew Goddard must really have a crush on me.  I feel like a mobster in “Goodfellas” and this is their Tribute to not only me, but everything they love as well.
 
The premise is simple; five stereotypes (including the nerd, jock, and stoner) are headed for a secluded cabin, are menaced by a “prophet of doom” and are attacked by monsters.  Like I said, simple…….WRONG.  Contrary to what people might think, this is a very self-aware tribute to genre films, and it’s pulled off perfectly.

Due to this movie being delayed, its a tad funny to see Chris Hemsworth, you might have seen him in a few low-budget movies like “Thor” and “The Avengers,” in one of his first roles.  You also get a few Whedon favorites like Amy Acker (Dollhouse) and Tom Lenk (Buffy and Angel)

Sprinkle some Evil Dead, a dash of Lovecraft, a sprinkle of ’50s giant monster movies, and good dose of splatter/slasher films, and you have “The Cabin in the Woods.”  This is definitely a trip you’d like to take, sure, you might end up tied up, gagged, and set on fire by people in white cherub masks, but at least you’ll finally be able to see the “merman

Fun Fact:  Please see “The White Board.”  It’s a magical experience.

 

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