Perhaps it is because I’m a black man born and raised in a city environment that the world of the country gangster interests me so much. Their world is an entirely different world than the one I’m used to, and it’s just a short ways up the highway. I watched The Dukes Of Hazzard religiously as a kid…before I realized that them Duke boys were driving ’round with a big “Go F%*k Yourself Black People” flag on their car. It is no secret that Justified is my favorite show on television. (SCREW YOU GOLDEN GLOBE COMMITTEE) Even Roadhouse tickles the hell out of me. Especially the absurdity of that final scene. So, Out Of The Furnace seemed like a film set directly in my entertainment wheelhouse. Unfortunately, the film has an overly simple and predictable plot that merely serves as a platform for its real asset. The thoroughly stellar PERFORMANCES.
Out Of The Furnace comes from Crazy Heart director Scott Cooper. Crazy Heart also ended up being a film with an unremarkable plot but extremely remarkable and Oscar winning PERFORMANCES. Furnace is about the chaos that happens after two brothers get mixed up with a psychotic mountain man gangster. That’s it. Okay, there are some other secondary facets to the story. This includes a regretable accident, an awkward love triangle, and a combat veteran’s hardship. However, hardly anything happens that you will not see coming or have not seen before. Because the premise is this simple and familiar, the moments that connect the important plot elements feels like overly long and extraneous padding. You could easily cut forty minutes from this barely two hour film and still not miss a thing. A very unfortunate problem, seeing as those padded moments have some of the film’s better acted scenes. This makes me think they were kept in, not because the story needed it, but because of how good the actors were in it. You never want to have a film where great PERFORMANCES are playing defense with your story.
Scott Cooper and cinematographer Masanobu Takayanagi are real artists when it comes to framing and light. I think Cooper could make a terrific western if he wanted to. The western genre is centered on confrontation, tension and the anticipation of violence. That is maybe what he was trying to do here. A modern day western. If that is the case then the pacing of the film makes sense. However, there are still some elements that don’t serve the build up of confrontation. Though, Cooper should be credited for once again getting what he got from his actors in this film.
People still forget how great of an actor Christian Bale is. Even after his recent Oscar win for The Fighter. In The Fighter, Bale played a larger than life character that required his usual body transformation. It was a character that gave him many things to do and many things to play with. His character Russell Baze is precisely the opposite of Dicky Ward. Russell is more subdued and still. Most of Bale’s PERFORMANCE is internalized. And yet, the PERFORMANCE is tremendous. A scene with him and Zoe Saldana on a bridge is probably some of the finest acting you’ll see this year. Yeah, Zoe Saldana is in this. She isn’t in it for a long time, but long enough to give a strong PERFORMANCE. Bale’s brother Rodney is played by the Affleck brother who can act. (You’re an awesome director Ben, but Casey can act circles around you) Again, the dynamic between the two brothers is nothing new. However, Casey and Bale elevate the relationship in every scene they share. You would never think Casey could display an intensity that rivals the always intense Bale, but he does. And speaking of intense, the real standout of this movie is Woody Harrelson. From the first scene, you know that Harrelson is going to steal this film. He is tough, funny, and scary as hell. He is such a great character, I wish there was a little more time dedicated to him. His inevitable showdown with Bale struck me as a bit anticlimactic. Cooper might have meant to keep his character Harlan Degroat (What a great name) simple and vague. However, I would have appreciated a little more time with the character and see the behind the scenes of how he ran his organization.
I’ve focused on the main stars, which really short changes the fine work done by the supporting cast. From Forest Whitaker, to Willam Dafoe, to Sam Shepard. Every actor brought their A game. Sadly, the story surrounding them is simply just a B-. Grab your rifle…and your boxing tape…don’t let Woody Harrelson serve you a hotdog…watch it…then tell me I’m wrong.