The Master

February 21, 2013

The Simplistic Reviews Podcast: 2013 Oscars Special

In this very special edition of The Simplistic Reviews Podcast we break down the 2013 Academy Award, this Sunday, February 24th.  Will “Argo” make The Academy rue the day they didn’t nominate Ben Affleck for a best actor award for “Gigli?”  Will another French Revolution occur with “Amour?”  Will we ever get to see the SyFy Original movie, “Zero Dark Thirty-One: The Return of bin Laden?”
All of this and much, much more in our special Oscar edition of The Simplistic Reviews Podcast.  Below are the categories we cover in the podcast, with our favorites BOLDED.
Best Animated Film: FRANKENWEENIE
PIRATES: BAND OF MISFITS
BRAVE
PARANORMAN
WRECK IT RALPH

Best Screenplay Adapted: CHRIS TERRIO-ARGO
LUCY ALIBAR & BEN ZEITLIN-BEASTS OF THE SOUTHERN WILD
DAVID MAGEE-LIFE OF PI, 
TONY KUSHNER- LINCOLN
DAVID O. RUSSELL-SILVER LININGS PLAYBOOK

Best Original Screenplay: MICHAEL HANEKE-AMOUR, 
QUENTIN TARANTINO-DJANGO
JOHN GATINS-FLIGHT
WES ANDERSON & ROMAN COPPOLA-MOONRISE KINGDOM
MARK BOAL-ZERO DARK THIRTY

Directing: MICHAEL HANEKE-AMOUR, 
BEN ZEITLIN-BEASTS OF THE SOUTHERN WILD
ANG LEE-LIFE OF PI
STEVEN SPIELBERG-LINCOLN
DAVID O. RUSSELL-SILVER LININGS PLAYBOOK

Best Supporting Actress: AMY ADAMS-THE MASTER
SALLY FIELD-LINCOLN
ANNE HATHAWAY-LES MISERABLES
HELEN HUNT-THE SESSIONS
JACKI WEAVER-SILVER LININGS PLAYBOOK.

Best Supporting Actor: ALAN ARKIN-ARGO
ROBERT DENIRO-SILVER LININGS PLAYBOOK
 PHILIP SEYMOUR HOFFMAN-THE MASTER
TOMMY LEE JONES-LINCOLN 
CHRISTOPH WALTZ-DJANGO UNCHAINED

Best Actress: JESSICA CHASTAIN-ZERO DARK THIRTY
 JENNIFER LAWRENCE-SILVER LININGS PLAYBOOK 
EMMANUELLE RIVA-AMOUR
QUVENZHANE WALLIS-BEASTS OF THE SOUTHERN WILD
NAOMI WATTS-THE IMPOSSIBLE

Best Actor: BRADLEY COOPER-SILVER LININGS PLAYBOOK 
DANIEL DAY-LEWIS-LINCOLN
HUGH JACKMAN-LES MISERABLES
JOAQUIN PHOENIX-THE MASTER
DENZEL WASHINGTON-FLIGHT

Best Picture-AMOUR, 
LIFE OF PI
ARGO
LINCOLN
BEASTS OF THE SOUTHERN WILD 
SILVER LININGS PLAYBOOK
DJANGO UNCHAINED
ZERO DARK THIRTY
LES MISERABLES

Click on the link below to download the podcast and enjoy folks!

Show Notes

Official Academy Awards Site 
Django Review
Silver Linings Playbook Review
The Master Review
Zero Dark Thirty Review

FOR MATURE AUDIENCES ONLY.

Click HERE to listen to podcast

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October 1, 2012

MONTH IN REVIEW

FAV of the month
The Master 

Review

SoSo of the month
Cosmopolis
Review

HATE of the month
Underworld:Awakening

Review

TV SHOW of the month
The Wire
Review

September 28, 2012

The Master

The Master – Comeback

I was sitting in the theater Friday morning/afternoon watching “The Master.”
………that’s it.  No funny little story, I was just literally watching “The Master.”  However, I will say; Welcome back Joaquin Phoenix.  My word, you’re good you!

In case you haven’t heard, both Paul Thomas Anderson (or P.T. Anderson for the mod set) and Joaquin Phoenix are back.  For Anderson this is his first film since “There Will Be Blood” in 2008, and for Phoenix, well, he started a rap career and “documented” himself in 2010’s “I’m Still Here” with the help of Casey Affleck, but this is his first “film” since 2008, where he appeared in “Two Lovers” (?)  But forget about the past, let’s discuss “The Master”, simply.

The basic idea of “The Master” is control and fervent belief.  The setting is just right (the film spans approximately from 1942-1950), and it makes complete sense.  After World War II, and the pre-Red Scare era, many people were looking for guidance and someone to believe in, and Lancaster Dodd (played brilliantly by Philip Seymour Hoffman, who is probably on his way to another Oscar) is that man.  He takes in a disturbed Naval vet, played by Joaquin Phoenix (who WILL win the Oscar this year) as his protege, while Dodd’s son has become suspect of his father’s practices and teachings to his followers.

The film also stars Amy Adams as Dodd’s wife, and Rami Malek as Clark, Dodd’s new son-in law, who looks shockingly like Bruno Mars.  But this film is all about Phoenix, who gives the performance of his life, and I really didn’t think he had it in him.  Sure, he was great in “Gladiator” and “Walk the Line” but to create a character like Freddie Quell from the ground up is something to behold.  This is his comeback.

While movies by Anderson (“Boogie Nights” and “Punch Drunk Love”) have always been critically acclaimed they all seem to have a veil of inaccessibility and being a little too art house.  But do yourself a favor, if you like film and really enjoy acting, “The Master” is top-notch in all aspects, and hey, making fun of Scientology and cults is fun.

Fact Fact:  This is the fifth collaboration between Anderson and Hoffman, starting with “Hard Eight” in 1996.

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